P.S.1 Newspaper

2009 Fall

Spotlight On Carlos Motta

This article refers to the P.S.1 exhibition On-site 1: Carlos Motta

While the details of the torturous practices surrounding the Bush administration are only now slowly coming to light, Carlos Motta has spent more than five years investigating the history and effects of U.S. interventionist policies in Latin America. His installation in P.S.1’s lobby, Brief History (2005-09) is part of his SOA Cycle, a body of work that examines the School of the Americas, a Cold War institution set up by the U.S. government to train Latin American soldiers in counterinsurgency tactics and military strategy to help prevent the spread of communism in Latin America (infamous graduates of the school include dictators Manuel Antonio Noriega of Panama and Hugo Banzer of Bolivia). Motta says his strategy was to “set out to critically engage with official and public information available on the SOA’s website as well as with information disseminated by human rights organizations—such as the SOA Watch—that denounce the dubious pedagogical program of the school.” With this material, Motta has created audio pieces consisting of appropriated and altered speeches, chalkboard drawings based on official PowerPoint presentations, newsprint publications, and photo-based vinyl murals like the one in Brief History.

For Brief History, the New York-based artist lifted a newspaper image reporting on the war in his native Colombia and rendered it abstract. Color was evacuated and context stripped away so that it is unclear for which side the soldiers are fighting. Paired with two newsprint publications that respectively outline a brief history of leftist guerrillas in Latin America and a brief history of U.S. interventions in that region, the large vinyl image is representative of both agendas. As two elements of a whole, the newspapers act as running captions for the black-and-white image, and evoke the shifting contexts which continue to affect international relationships in the Americas today.

 

 
also in this issue:

A History of YAP: If These Walls Could Talk

Ellinger/Yehia Design: Making it Real

nArchitects: Walking in a Bamboo Wonderland

Q&A with Young Architects: MOS 2009

Gage/Clemenceau Architects: The Golden Rule

Roy: Showing Her Best Moves

Cho Slade: Falling from the Skies

SHoP: Lost in Translation

Q&A with Young Architects: Gnuform 2006

Q&A with Young Architects: KDLAB 2002

Q&A with Young Architects: L.E.FT 2009

Q&A with the YAP Jury: Barry Bergdoll

Q&A with the YAP Jury: Terence Riley

Q&A with the YAP Jury: Antoine Guerrero

Q&A with the YAP Jury: Andres Lepik

Q&A with the YAP Jury: Klaus Biesenbach

Q&A with the YAP Jury: Peter Reed

Q&A with Young Architects: MONAD 2008

Q&A with Young Architects: LOT-EK 2000

Q&A with Young Architects: SYSTEMArchitects 2001/2003

WW: Spiral Settee

THEM (Lynch + Crembil): Building a Structure, Building a Network

Graftworks: Hothouse Lily

Q&A with Young Architects: IWAMOTOSCOTT 2006

Q&A with Young Architects: Studio SUMO 2001

Q&A with Young Architects: Taeg Nishimoto 2000

Matter Practice: Earthly Delights

Aranda \ Lasch: Urban Cave

OBRA: Beatfuse!

PARA-Project: Excess as a Resource

Q&A with Young Architects: !ndie Architecture 2009

Q&A with Young Architects: Griffin Enright Architects 2004

Q&A with Young Architects: su11 architecture+design 2008

Forsythe + MacAllen Design / molo: Winning Isn't Everything

Material Lab: Changing Conditions

Bade Stageberg Cox: Beyond the Usual Approach

Spotlight On Carlos Motta

Q&A with Young Architects: Ball-Nogues

Q&A with Young Architects: 2003 Tom Wiscombe