This article refers to the P.S.1 exhibition On-site 1: Carlos Motta
While the details of the torturous practices
surrounding the Bush administration are only
now slowly coming to light, Carlos Motta has
spent more than five years investigating the
history and effects of U.S. interventionist policies
in Latin America. His installation in P.S.1’s
lobby, Brief History (2005-09) is part of his SOA
Cycle, a body of work that examines the School
of the Americas, a Cold War institution set up
by the U.S. government to train Latin American
soldiers in counterinsurgency tactics and military
strategy to help prevent the spread of
communism in Latin America (infamous graduates
of the school include dictators Manuel
Antonio Noriega of Panama and Hugo Banzer
of Bolivia). Motta says his strategy was to “set
out to critically engage with official and public
information available on the SOA’s website
as well as with information disseminated by
human rights organizations—such as the SOA
Watch—that denounce the dubious pedagogical
program of the school.” With this material,
Motta has created audio pieces consisting
of appropriated and altered speeches, chalkboard
drawings based on official PowerPoint
presentations, newsprint publications, and
photo-based vinyl murals like the one in
Brief History.
For Brief History, the New York-based
artist lifted a newspaper image reporting on
the war in his native Colombia and rendered
it abstract. Color was evacuated and context
stripped away so that it is unclear for which
side the soldiers are fighting. Paired with
two newsprint publications that respectively
outline a brief history of leftist guerrillas
in Latin America and a brief history of U.S.
interventions in that region, the large vinyl
image is representative of both agendas. As
two elements of a whole, the newspapers act
as running captions for the black-and-white
image, and evoke the shifting contexts which
continue to affect international relationships
in the Americas today.
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