Pacita Abad
Ends Sep 2
- On View
- Exhibition
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Installation view of the exhibition Pacita Abad: A Million Things to Say at the Museum of Contemporary Art and Design, Manila, De La Salle-College of Saint Benilde, 2018. Courtesy Pacita Abad Art Estate and MCAD Manila. Photo: At Maculangan/Pioneer Studios.
Melissa Cody
Webbed Skies
Ends Sep 9
- On View
- Exhibition
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Melissa Cody. Untitled. 2022. Wool warp, weft, selvedge cords, and aniline dyes. 8′10′′ x 56′′ (269 x 142 cm). Courtesy the artist
Reynaldo Rivera
Fistful of Love/También la belleza
Ends Sep 9
- On View
- Exhibition
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Reynaldo Rivera. Carla, Echo Park. 1997.
Courtesy the artist and Reena Spaulings Fine Art
On Pacita Abad
With Ruba Katrib, Joan Kee, and Pio Abad
- Video
- Talk
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Photo: Marissa Alper; Video: Carlton Bright
"I'm glad we've unlearned enough now to really appreciate the ambition of [Pacita's] universe."— Pio Abad
Last month, we hosted a panel on Pacita Abad’s life and legacy as part of our Open House. Featuring Ruba Katrib, Joan Kee, and Pio Abad, the panel delves into the rise of Pacita's visibility within the art world, the intimacy with which she depicted her subjects, and so much more. Watch the full video above, and plan your visit to see Pacita Abad, on view through September 2.
Hard Ground
Ends Oct 14
- On View
- Exhibition
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Gianna Surangkanjanajai. ROOF. STUB?. 2023. Polaroid. Courtesy the artist
Leslie Martinez and Elena Ketelsen González on Selena
- Video
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Video and Editing by Marissa Alper. Directing and Sound by Nora Rodriguez.
Selena's 1995 Houston Astrodome performance is the pinnacle of artistic expression, and we will not be taking comments.
...unless they're from artist Leslie Martinez and curator Elena Ketelsen González. The two sat down to discuss the iconic "Queen of Tejano Music," and the ethos of holding absolutely nothing back—on stage and in the studio.
Regina José Galindo
Tierra
Ends Aug 26
- On View
- Exhibition
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Regina José Galindo. Tierra (still). 2013. High-definition video (color, sound). 33 mins, 30 secs. The Museum of Modern Art, New York. Gift of Mario Cader-Frech through the Latin American and Caribbean Fund
Join Charisse Pearlina Weston in her Studio
- Video
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“I wanted to pose questions around representations of intimacy, of disrupting, looking, as methods of resistance." — Charisse Pearlina Weston
Charisse Pearlina Weston's delicate sculptures take up the subject of Occupied Look, a program started by the New York City Department of Housing and Preservation and Development (HPD) in the 1980s that affixed hundreds of window decals onto buildings across the city. The program, born as the Bronx was increasingly becoming politicized as a site of urban decay, essentially projected a vision of renewed interior space while boarding up vacant buildings.
Visit Charisse in her studio and take a walk through Harlem to hear about the ways her research into the history of New York has shaped her sculpture practice. See Charisse's works when you visit And ever an edge: Studio Museum Artists in Residence 2022–23.